English
1990
Two Approaches to Knowledge Acquisition in Music
1989 The Four Time Dimensions of Electro-Acoustic Music
The Jyväskylä Lectures on Cognitive Musicology
On the Acquisition of Compositional Knowledge in Music
Design Paradigms in Artistic Composition
Three Prototypical Approaches in Artistic Composition
1988 Composition Theory as a Basis for Second-Generation Computer Music Systems
On Cognitive Musicology: Holding, Eliciting, and Modeling Musical Knowledge
Observations about Project One
1986 Problems and Methods in Cognitive Musicology
1985 On Capturing Esoteric Knowledge for Use in Machines
On Purposive (or Semantic) Languages
1984 COMP1: An Expert System for Issueing Semantic Directives for Generating Musical Scores
COMPOSE: A Musical Story Generator
On Capturing Arcane and Idiosyncratic Knowledge for Machines
1983 AI Topics in Computer-Aided Composition: A Tutorial
Models of Musical Planning (NEWCOMP Tutorial in Composition Theory)
1981 An Information Processing Model of Melody Composition
1980 Preliminary High-Level Specification of a Computerized Music System Requirements Analysis and Specification for a Computerized Music System
1979 Toward a Cognitive Theory of Musical Learning
1978 Musicology: A Perspective from Cognitive Science
On the Context Boundary Problem in Musicology
Music Analysis: A Cognitive Perspective
Empirical Data Representations for a Musical Process Model
Knowing Music, Making Music, and Interactive Computing
1977 Music Theory: A Cognitive Perspective
1976 A Conceptual Task Analysis of Monolinear Composition
GMPS: A General Problem Solver for Melody Composition
A Production System Model for OBSERV Protocols
1975 Problems in the Meta-Theory of Music
Music as a Topic of AI Research
Problems in Music Theory: Introduction to a Seminar
An Information Processing Model of Melodic Listening
1974 Toward an Explicit Model of Compositional Problem Solving
Short Report on Research Concerning a Performance Model for Music
Report on the Development of Tools for Procedural Research in Sound Systems
Real-Time Synthesis and Composition
1973 Toward a Science of Musical Problem Solving
1971 The Logic Structure of a Generative Grammar for Music
1970 A Methodological Inquiry into Computer Music Composition
1969 Basic Problems of Artistic and Ordinary Communication
1968 On Principles of Artistic Communication (5 Lectures)
Christoph Heinrich Koch: A Guide to Musical Composition
1967 Musical Time and the Concept of Composition.
German
1990
Zwei Ansätze zur musikalischen Wissensakquisition
1989 Die vier Zeitdimensionen der elektro-akustischen Musik
Die Integration neuer Technologien in die Denkweisen der Musiker
Kompositionstheorie: Ein neues Konzept musikalischer Theorie
1987 Das Zusammenwerken von moderner Technik und Kunst im Bereich
der Musik: Rückblick und Ausblick (Karlsruher Vorlesung)
1982 Einführung in die Computermusik
1981 Einführung in die musikalische Informatik
1978 Ein deutsches Computermusikzentrum
Computermusik
1976 Probleme kognitiver Musikwissenschaft
1974 Zwei Ansätze zu einem expliziten Modell
kompositorischen Problemlösens
1973 Auf dem Wege zu einer Wissenschaft musikalischen Problemlösens
1972 Über musikalische Strategien in Hinsicht auf eine generative Theorie der Musik
Die logische Struktur einer generativen musikalischen Grammatik (no. 2)
1971 Eine methodologische Untersuchung der Komputerkomposition
Über Probleme eines musikalischen Vollzugsmodells
1970 Die logische Struktur einer generativen musikalischen Grammatik I
1966 Zum Problem der Identität in der Dichtung von John Keats
1965 Hindemiths Unterweisung im Tonsatz: eine methodologische Untersuchung
1964 Heinrich Schütz' Trauermotette für J. H. Schein (1630) und ihre Bearbeitung für die Geistliche Chormusik.