TwinSister (1995). Text: O Laske. 16:00 minutes. Composed with KYMA.
TreeLink (1992). Speaker and Tape. Text: O. Laske. 14:15 minutes. Composed
with KYMA. Released on "Electro-Acoustic Music V" CD (Neuma), 1996.
Hallucination (1991) [replaces Mediation of 1980/81]. 8:30 minutes.
Composed with Project 1 and CSOUND.
Furies and Voices (1990). 10:30 minutes. Composed with PODX and DMX-DSP.
Released on "Electro-Acoustic Music VI" CD (Neuma), 1999.
In Memory (1988, revised 1991) [replaces Strata]. 8:25 minutes. Composed
with PROJECT 1 and CSOUND.
La Forêt Enchantée (1987). 8:30 min. Composed with PROJECT 1 and DMX-1000.
Voie lactée(1984). 11:15 minutes. Composed with PROJECT 1 and DMX-1000.
Terpsichore (1980). 14:00 minutes. Composed with PROJECT 1 and SSSP.
Message to the Messiah (1978, revised 1991). 16:30 minutes. Composed
with Buchla Synthesizer as sound source using concrète techniques.
Brainstorms [Structure IX] (1975), revised 1990). 11:30 minutes. Composed
with POD.
Objects and Spaces [Structure VIII] (1975, revised 1990). 12:00 minutes.
Composed with POD.
De Profundis [Structure VII] (1974, revised 1990). 16:00 minutes. Text:
O. Laske. Composed using voltage control synthesis.
Eruptions [Structure VI]. 19:45 minutes (1974, revised 1990). Composed
using voltage control synthesis.
Structure V, 18:00 minutes. (1973, revised 1990). Composed with POD.
Distances and Proximities [Structure IV] (1973, revised 1990). 16:30
minutes. Composed with POD.
Nature's Self (Structure III.2] (1972, revised 1990). 5:20 minutes.
Composed using voltage control synthesis.
Nature's Dream [Structure III.1] (1972, revised 1990). 8:30 minutes.
Composed using voltage control synthesis.
From Here to Infinity [Structure II.2] (1971, revised 1990). 11:25
minutes. Composed using musique concrète techniques.
Exorcism [Structure II.1] (1971, revised 1990). 6:00 minutes.
Composed using musique concrète techniques.
Inner Spaces [Structure I.2] (1970, revised 1990). Composed using musique concrète techniques.
Perpetuum Mobile [Structure I.1] (1970, revised 1990). 5:00 minutes.
Composed using musique concrète techniques.
Abgesang [not preserved] (1967). Composed using voltage control synthesis.
Vitre (1973). One or more dancers. Text: R. Char. 20 minutes.
Transitions (1967). 3 dancers, Clarinet, Bass Clarinet, Guitar,
Percussion, Vocal Sounds by Dancers. 5:45 minutes.
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