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BibliographyList of Compositions and Sound Documents by WesterkampCOMPOSITIONSGently Penetrating Beneath the Sounding Surfaces of Another Place. For two-channel tape, commissioned by Groupe de Musique Electroacoustique de Bourges (GMEB), France. Premiere: India International Centre, New Delhi, October 21, 1997. Honorary mention, Prix ars electronica, Linz, Austria, 1998. Talking Rain. for two-channel tape, commissioned by CBC Radio for Westcoast Performance. Radio Premiere: April 20, 1997. Dhvani. for two-channel tape. Premiere: November 10, 1996, Vancouver East Cultural Centre. Sensitive Chaos. For two-channel tape, commissioned by Winnipeg New Music Festival. Premiere: January 28, 1995, Winnipeg. From the India Sound Journal. Work in progress for spoken voice and two-channel tape. Premiere: June 22, 1993, Vancouver East Cultural Centre. Radio premiere: same date on "Wireless Graffiti," Vancouver Co-operative Radio, CFRO, Hildegard Westerkamp, voice. Beneath the Forest Floor. For two-channel tape. Commissioned by CBC Radio for Two New Hours. Radio. Premiere: May 17, 1992. Recommended for broadcast by the 4th International Rostrum of Electroacoustic Music, 1992. Honorouble mention, Prix Italia 1994. Breathing Room 3 - A Self Portrait. For spoken voice and two-channel tape. Premiere: May 19, 1991, Pitt Gallery, Vancouver, Hildegard Westerkamp, voice. My Horse and I. For two-channel tape, with poem and reading by Sharon Thesen. Premiere: May 19, 1991, Pitt Gallery, Vancouver. Ecole Polytechnique. For 8 churchbells, mixed choir, bass clarinet, trumpet, percussion and two-channel tape.Commissioned by Montréal Musiques Actuelles/New Music America 1990.Premiere: Nov. 3, 1990, New Music America, Montréal. Breathing Room. For two-channel tape. Commissioned by empreintes DIGITALes, Montréal, for the "Électro clips" CD. Premiere: Nov. 2, 1990, New Music America, Montréal. Breathing Room 2. For two-channel tape, bottles and audience. Premiere: April 1990, Surrey Arts Centre, Surrey, B.C. The Deep Blue Sea. For spoken voice and two-channel tape, a collaboration with Norbert Ruebsaat, text by Brian Shein. Premiere: March 30, 1989, Vancouver Art Gallery, Norbert Ruebsaat, voice. Kits Beach Soundwalk. For spoken voice and two-channel tape. Premiere: March 30, 1989, Vancouver Art Gallery, Hildegard Westerkamp, voice. Harbour Symphony. For six boathorns in St. John's Harbour, Newfoundland. Premiere: July 1988, Sound Symposium, St. John's, Newfoundland. Music from the Zone of Silence: For one to four voices and two-channel tape. Premiere: July 1988, Sound Symposium, St. John's, Newfoundland. Moments of Laughter. For female voice and two-channel tape. Commissioned by Vancouver New Music Society. Premiere: March 1988, Vancouver, Meg Sheppard, voice. Cricket Voice. For two-channel tape. Premiere: June 1987, Community Arts Council, Vancouver. Harbour Symphony. For over 100 boathorns in Vancouver Harbour, for the opening of the Canada Pavilion, EXPO '86. Commissioned by Canada Pavilion, EXPO '86, Vancouver. Premiere: May 1986, Vancouver Harbour. His Master's Voice. For two-channel tape. Cool Drool . For spoken voice and two-channel tape. Premiere: February 1984, Vancouver East Cultural Centre, Hildegard Westerkamp, voice. Windmusic. For any wind instrument and two-channel tape. Premiere: November 1981, Women in Focus Gallery, Vancouver. Streetmusic. For any portable instrument and two-channel tape. Premiere: November 1981, Women in Focus Gallery, Vancouver. A Walk Through the City. For two-channel tape, with poem and reading by Norbert Ruebsaat. Commissioned by Two New Hours, CBC Stereo. First broadcast: April 1981. Fantasie for Horns II. For French Horn and four-channel tape. Premiere: May 1979. Music Gallery, Toronto. Fantasie for Horns I. For four-channel tape. Premiere: 1978. Western Front Gallery, Vancouver. Familie mit Pfiff (Theme and Variations). For two-channel tape. Premiere: October 1976, Osnabrück, Germany. Whisper Study. For two-channel tape. Premiere: 1975. Western Front Gallery, Vancouver. SOUND INSTALLATIONS Nada - An Experience in Sound. A sound Installation about listening at the Mati Ghar, Indira Gandhi National Centre for the Arts Janpath, New Delhi, India, December 10-25, 1998; with the collaboaration of Savinder Anand, Mona Madan, and Veena Sharma; financial support: Max Mueller Bhavan (Goethe Institut), Delhi. Türen der Wahrnehmung (Doors of Perception). A radio environment. Commissioned by Österreichischer Rundfunk and Ars Electronica, Linz, Austria. First Broadcast: Sept. 1989, during Ars Electronica, Linz. Coon Bay. A Westcoast environment for two-channel tape. 1988. Zone of Silence Story. An acoustic environment for a group exhibition of the "Zone of Silence Project" at the Museum of Québec in Québec City, December 1985 to January 1986, a collaboration with poet Norbert Ruebsaat Cordillera. An acoustic environment for four-channel tape on the poetry of Norbert Ruebsaat. Commissioned by the Western Front Gallery for the "Music from the New Wilderness Festival". Premiere: February 1980, Western Front Gallery, Vancouver. SOUND DOCUMENTS One Visitor's Portrait of Banff. A series of radio pieces for "Radio Rethink: Art Sound and Transmission", The Banff Centre, Banff, Alberta, Canada. First Broadcast: March 12, 1992. Convergence. A two-hour sound document of the CEC Electroacoustic Days in Banff, Nov. 1989. Commissioned by the Banff Centre and produced for Community Radio Stations across Canada. Voices for the Wilderness. A sound document of the first Stein Festival, held in the alpine meadows of the Stein watershed near Lytton, B.C., produced in collaboration with Norbert Ruebsaat. Women Voicing. A sound document for Musicworks 31, Toronto. 1985. Streetmusic. A sound document about Vancouver's streetmusicians. Commissioned by CFRO, Vancouver Co-operative Radio and CBC Radio. First Broadcast: Spring 1982. Under the Flightpath. A sound document about life near the airport. Commissioned by the Hornby Collection, CBC Radio. First Broadcast, January 1981. SOUND AND MUSIC FOR FILM AND RADIO DRAMA I Know, radio drama by Norbert Ruebsaat, produced by William Lane, CBC. 1998. Bones of the Forest, directors/producers Heather Frise and Velcrow Ripper. 1995. Ranch, directors/producers Steven Denure and Chris Lowry. 1985. Still Sane, a film production by Women in Focus, Vancouver. 1985. Streetkids, National Film Board, director, Peg Campbell. 1985. One Woman Waiting, director, Josephine Massarella. 1982. This Borrowed Land, National Film Board, director, Bonnie Kreps. 1982.
Writings and Presentations by WesterkampWesterkamp, Hildegard. "Speaking from Inside the Soundscape." Presentation at Hör Upp/Hey Listen! Acoustic Ecology conference, Stockholm, Sweden, June 1998."UmweltKlang - HörErfahrung." SoundScape Design KlangWelten HörZeichen. Edited by Hans Ulrich Werner. Basel, Switzerland: Akroama, 1997. "Listening to the Listening." Sounding Out Genders: Women Sound Artists Talk about Gender and Technology. Presentation at the Sixth International Symposium on Electronic Art. Montréal, Québec, September 19, 1995. "The Soundscape On Radio." In Radio Rethink. Edited by D. Augaitis and D. Lander. Banff, Alberta, Walter Phillips Gallery, 1994. "A Little Symposium on the Symposium, excerpts from a conversation between Norbert Ruebsaat and Hildegard Westerkamp on the outdoor events at the 1988 Sound Symposium in St. John's Newfoundland." Musicworks 45, Winter 1990: 19-28. "Cool Drool," and "Listening and Soundmaking." Sound by Artists. Banff, AB: Walter Phillips Gallery, 1990: 222-234. "Listening and Soundmaking: A Study of Music-as-environment." M.A. thesis, Department of Communications, Simon Fraser University, 1988. "A Child's Ritual." Musicworks 35 (1988): 12. Acoustic Ecology and the Zone of Silence. Musicworks 31 (Spring 1985): 8-9. "Wilderness Lake." Musicworks 15 (Spring 1981): 20-21. "Soundwalking." Sound Heritage 3 no. 4, 1974: 18-27.
Writings about WesterkampBazzana, Kevin. "Hildegard Westerkamp." Encyclopedia of Music in Canada. Edited by Helmut Kallmann, Gilles Potvin, Kenneth Winters. Toronto: University of Toronto Press, 1992: 1396.Bergeron, Carol. "Musique en Spectacle." Le Devoir, November 5, 1990: 8. Bernstein, Tamara. "December 6." Herizons (Spring 1993): 21-22. Chatelin, Ray. "Wake Up and Hear the Crickets." Music Scene (March 1988): 7. Drushka, Ken. "Musical Opening for Canada Pavilion." Harbour and Shipping (May 1986): 24-25. Everett-Green, Robert. "'Snapshots' That Stimulate." Globe and Mail, November 26, 1990: C4. Kolber, David. "Hildegard Westerkamp's 'Kit's Beach Soundwalk': Shifting Perspectives in Real-World Music." Unpublished paper, Undergraduate program in Communications, Simon Fraser University, March 16, 1998. Labelle, Brandon. "The Sound of Music: Contemporary Sound-Art and the Phenomenal World." Art Papers. (March 1999): 36-39. Littler, William. "Bells Have a Peal for New Music Fans." Toronto Star, November 5, 1990: 6. McCartney, Andra. "Soundwalk in the Park with Hildegard Westerkamp." Musicworks 72 (Fall 1998): 6-15. Robertson, Clive. "Musics and Function: Geography, place, topography, politics and the recording process." Fuse Music Supplement, March 1982: 347-349. Sawchuk, Kim. "Noise and the Acoustic Environment: Kim Sawchuk Interviews Hildegard Westerkamp." Broadcast on Postmodern Commotion, CKUT Montréal, November 1990. Smolders, Ios. "Hildegard Westerkamp". Accessed online, August 20, 1998, at http://www.hyperreal.org/zines/est/intervs/westerk.html. Transcript of an interview conducted in 1993. Young, Gayle. "Composing with Environmental Sound." Musicworks 26 (Winter 1984): 4-8. Zapf, Donna. "Inside the Soundscape: The Compositions of Hildegard Westerkamp." Musicworks 15, 1981, 5-8.
Westerkamp Discography"Gently Penetrating Beneath the Sounding Surfaces of Another Place." Harangue II. CD. Vancouver, BC: earsay, 1998."Talking Rain." Harangue I. CD. Vancouver, BC: earsay, 1998. "Dhvani." 1977-1997, 20 Jahre Osnabrücker Komponisten. CD. Osnabrück,
Germany: Kreis Osnabrücker Komponisten, 1997.
Transformations. CD. Montréal: empreintes DIGITALes, 1996.
"Türen der Wahrnehmung (Doors of Perception)" Radius. CD. Albuquerque,
NM: Nonsequitur, 1996.
"Kits Beach Soundwalk" (German version) Der Verlust der Stille. CD.
Baden, Germany: Evangelische Akademie Baden, 1995. Also on Klang Wege.
CD. Kassel, Germany: Gesamthochschule and Basel, Switzerland: Akroama,
1995.
"Contours of Silence" and "Banff Razzle Dazzle." Radio Rethink--Art,
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Centre for the Arts, 1994.
"Breathing Room." Électro clips. CD. Montréal: empreintes DIGITALes,
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"Cricket Voice." Electroacoustic Music, Anthology of Music in Canada
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CD #1 New Music Canada. New York: Ear, 1990.
"A Walk through the City" (excerpt). Sources. Cassette. Olympia, WA:
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"His Master's Voice." Anthology 2". Cassette. Toronto: Underwhich
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Inside the Soundscape. Cassettes 1-5: 1. "Fantasie For Horns I and
II;" 2. "A Walk Through the City," "Whisper Study," "Street Music;"
3. "Cordillera," "Zone of Silence Story;" 4. "Voices for the Wilderness;"
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Musicworks 31: Women Voicing. Cassette MW 31. Excerpts from "Collage
of Desert Plant Sounds," "Cricket Nightsong," "His Master's Voice."
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